The deejay job was to introduce each record and to enhance the rhythm of the music!
by chanting along with the record. Selectors chose records and used the controls to increase or decrease
bass, treble, or volume. Musicians picked up on the elements of the rhythm and blues and combined it with
traditional Jamaican mento music. The result was the first wave of ska.
Musically, ska is "a shuffle-rhythm close to mento but even closer to the backbeat of the r&b, with
the accent on the second and fourth beats, often moving in a 12-bar blues-frame. The afterbeat, strummed
by a rhythm guitar or played on the piano . . . came to be characteristic of the form" (Davis and Simon 38).
A horn section, usually consisting of trumpets, trombones, and saxophones, was vital to the music. Skilled
musicians began to team up. Classic bands, such as the Skatalites, were formed and backed up vocal
groups and singers. The Wailers (including Bob Marley, Peter Tosh, and Bunny Livingston), Desmond
Dekker, the Maytals, and Laurel Aitken were the most popular performers at the time. Songs written about
Trench Town (the ghettoes), rude boys (street thugs), and about romance were prevalent, however,
religious themes could also be found in the songs. In 1965, the Skatalites disbanded, and slowly ska
transformed into another type of music, rock steady. Rock ste!
ady is more dependent on the rhythm, provided by the bass guitar and drums, than ska was. For the
meantime, ska took a backseat to the new styles sweeping the country.
After ska had been developed in Jamaica, it was "exported" by artists traveling to Great Britain.
There it was known as "blue beat." By the mid 1970's, early British punk bands were infusing reggae, a
style of music that came from rock steady, into their music. Near the end of the decade, bands began to use
ska instead of reggae because of its upbeat, danceable rhythm. This faster paced ska came to be known as
2 tone. One of the messages of 2 tone ska was the promotion of racial harmony. One of the symbols of 2
tone was a cartoon character named Walt Jabsco, a man in a black suit, white shirt, black tie, sunglasses,
pork pie hat, white socks and black loafers. The use of black and white in the drawing was supposed to
symbolize the peaceful coexistence of different races. As Strauss noted, "The attitude of ska music has
always been one of having fun in the face of oppression, as encapsulated in a warning made famous by the
Jamaican legend Prince Buster: 'Enjoy yourself!
. It's later than you think.'" (n. pag.).
The third wave of ska began around 1990 in America. Bands influenced by the 2 tone ska scene
began to use more punk and metal music. The combination is much faster than 2 tone, and sounds very
different from the original Jamaican brand of ska. The sound has transformed much since its birth. Suzan
Colon comments on the evolution of ska,
Topics Related to Three Waves of Ska
Jamaican music, Ska, Rocksteady, Reggae, The Skatalites, Laurel Aitken, Prince Buster, Ska jazz, Music of Jamaica
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