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- Michael Majchrowicz, student @ University of Kentucky
The Burnside Project
I come around the corner, and a smile comes across my face. I love it when there
isnít a crowd. Only two other people braved the chill, and had the will, to get up this
early. Upon arrival, my view is enhanced. Though Iíve seen it enough to burn an image
into my subconscious, each visit brings new wonder. I climb onto the lower platform,
and quickly scale the small wall to the upper. I nod at the other already standing there.
Iíve seen him before, but I donít need to know his name. A silent friendship
binds us that rarely needs words. An occasional cheer or wince says more than the daily
chat most are forced to endure. The sound of the second person rolls softly in my ears.
His image creeps into the corner of my eye while I inspect my shoes. I scrub the soles
back and forth on the pavement, out of habit, to insure a dry surface. I donít bother to
watch him. I can hear him rolling smoothly down low. His slow, relaxed warm up run
tells me he probably arrived short time ago. He makes his way up the back wall and his
wheels go silent. The other one puts his foot on his tail and effortlessly rolls his truck
over the coping. I watch him quickly drop away and coast to the hip. He glides past it,
and I start to notice the entire view before me as he blends into a larger picture.
I see grey. Every shade of grey, in all its variety blends and curves from the
lightest near whites, to a deepness rivaling black. The darkness overhead drones with the
sound of a thousand automobile tires humming on the top of the bridge. Though
designed for another purpose, it serves well as protection from the rain and weather. The
sun and light, as well as the wind, come from the sides. The wind blows softly this morn,
yet it nips at exposed skin. I know I will soon appreciate its soothing aspects as I warm
up, so I try not to be bitter about it chilling my already cool body.
I hear the familiar pop of an ollie and my eyes automatically track its source. I
turn in time to see him land on the transition. He landed the maneuver perfectly on the
six foot ramp across from me. I whistle softly in appreciation. I follow his course and
become interested in his choice of direction. He obviously knows the park well, and uses
the knowledge to his advantage. So many others fall into the trap of using only a select
few of the ramps, but he goes off the beaten path, and rides a side bowl and over the
small spine in the corner. He conquers most the obstacles with a fluid speed that belies
the difficulty of his task. He goes in directions I donít expect, and it turns my mind
toward thoughts of where I might ride soon enough.
The choices are nearly endless. Though only a couple hundred feet squared, not a
large area, it is chock full of concrete delights. Formations of liquid rock, hardened into
a myriad of varying surfaces that angle, bend, curve, and spill into the floor, from
towering heights, to enormous pits. A vast array of shapes masterfully crafted to blend
beautifully into an ever flowing form.
I scan over the park, ahead lies the upper bowl. A square pit elevated by
transitional walls that make a six foot hip where they intersect at a right angle. The bowl
sits next to, and is attached to, the back wall. It goes up twenty feet, and is rideable to
the top. From there, I can choose to go left or right into the side bowls and banks, or turn
and come back to my starting location of an eight foot transition that bends at a right
angle and makes a pocket. Between here and there is an endless assortment of smaller
terrain to make it different each time. I begin to devise a route, yet I know I will soon
I cannot ride this place like a machine, for it was never planned or mapped out
like a structure, but slowly created over time, shape by shape. It evolved from nothing to
a living form that has its own energy. My course must change as I ride, because I do not
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