Nicholas Ferrar

Nicholas Ferrar was assumed to be born in 1592. I have found that his most probable birth
date was in February of 1593. This is due to the usual calendar confusion: England was
not at that time using the new calendar adopted in October 1582. It was 1593 according
to our modern calendar, but at the time the new year in England began on the following
March 25th.
Nicholas Ferrar was one of the more interesting figures in English history. His family was
quite wealthy and were heavily involved in the Virginia Company, which had a Royal
Charter for the plantation of Virginia. People like Sir Walter Raleigh were often visitors to
the family home in London. Ferrars’ niece was named Virginia, the first known use of this
name. Ferrar studied at Cambridge and would have gone further with his studies but the
damp air of the fens was bad for his health and he traveled to Europe, spending time in the
warmer climate of Italy.

On his return to England he found his family had fared badly. His brother John had
become over extended financially and the Virginia Company was in danger of loosing its
charter. Nicholas dedicated himself to saving the family fortune and was successful. He
served for a short time as Member of Parliament, where he tried to promote the cause for
the Virginia Company. His efforts were in vain for the company lost their charter anyway.

Nicholas is given credit for founding a Christian community called the English Protestant
Nunnery at Little Gidding in Huntingdonshire, England. After Ferrar was ordained as a
deacon, he retired and started his little community. Ferrar was given help and support
with his semi-religious community by John Collet, as well as Collet’s wife and fourteen
children. They devoted themselves to a life of prayer, fasting and almsgiving (Matthew

The community was founded in 1626, when Nicholas was 34 years old. Banning together,
they restored an abandoned church that was being used as a barn. Being of wealthy
decent, Ferrar purchased the manor of Little Gidding, a village which had been discarded
since the Black Death (a major outbreak of the bubonic plague in the 14th century), a few
miles off the Great North Road, and probably recommended by John Williams, Bishop of
Lincoln whose palace was in the nearby village of Buckden. About thirty people along
with Mary Ferrar (Ferrars’ mother) moved into the manor house. Nicholas became
spiritual leader of the community.

The community was very strict under the supervision of Nicholas. They read daily offices
of the Book of Common Prayer, including the recital of the complete Psalter. every day.

Day and night there was at least one member of the community kneeling in prayer at the
alter, that they were keeping the word, “Pray without ceasing”. They taught the
neighborhood children, and looked after the health and well being of the community. They
fasted and in many ways embraced voluntary poverty so that they might have as much
money as possible for the relief of the poor. They wrote books and stories dealing with
various aspects of Christian faith and practice. The memory of the community survived to
inspire and influence later undertakings of Christian communal living, and one of T.S.
Eliots’ Four Quartets is called “Little Gidding.”

Nicholas was a bookbinder and he taught the community the craft as well as gilding and
the so-called pasting printing by means of a rolling press. The members of the community
produced the remarkable “Harmonies” of the scriptures, one of which was produced by
Mary Collet for King Charles I.. Some of the bindings were in gold toothed leather, some
were in velvet which had a considerable amount of gold tooling. Some of the embroidered
bindings of this period have also been attributed to the so-called nuns of Little Gidding.

The community attracted much attention and was visited by the king, Charles I. He was
attracted by a gospel harmony they had produced. The king asked to borrow it only to
return it a few months later in exchange for a promise of a new harmony to give his son,
Charles, Prince of Wales. This the Ferrars did, and the superbly produced and bound
manuscript passed through the royal collection, and is now on display at