All his life Michelangelo thought of himself as a sculptor rather than as painter. He in fact was npt a painter. All his paintings generally resembled polychromed sculpture.
Michelangelo left his family in order to devote the money he made and pass it along for his families re-establisnment.
Michelangelo used male models for his monumental female figures and it is hard to deciede on whether the subject is a young man or woman.
Michelangelo signed many contracts. Some of them were: The Piccolomini Alter when fifteen statues were to be made in three years, the Twelfth large-scale apostles to be executed in as any years for the cathedral of Florence and a huge fresco painting of the battle of Cascina which was barely started. This was all to be done in five years. In forty years only ten statues were ever done.
Two of Michelangelo's earliest known works are: The Madonna of the Stairs and the Battle of Lapiths and Centaurs. The first shows his mastery of the delicate marble techniques of the late fifteenth century sculptures. The second gives an astonshing forestaste of his mature ability to unfold passion and the tradegdy through the interaction of human bodies.
When Rome was dominated by Borgia Pope Alexander VI, it had very little inspiration on Michelangelo however it did provide his first contact with the great mass of Roman architecture, sculpture and painting which had great influence upon Michelanelo's work. The rich sensuality of the Bacchus shows that Michelangelo explored the chords of human flesh. But the great Pieta is even more important for Michelangelo'd first known pictorial work. Throughout the complexity of it's fold structure it can only be described as a conflict between form and line.
When Michelangelo created the David this was his first adventure in gigantism, nothing was quite the same again. Shortly after the David was set in it's position in front of the Palazzo Vecchio Michelangelo received his first comission for a colossial work of painting. There was no actual evidence that Michelangelo objected or declared that painting wasn't his profession. In fact he found hiself competing again with Leonardo da Vinci who, in the same room, was told to paint the Battle of Anghiari.